桃花源山水
【创作源起】
2020年，在疫情的困顿与窘迫中，受柏拉图《理想国》的启发，我开始思考如何以一种东方语言诠释乌托邦精神，由此开启了《桃花源山水》系列的综合材料绘画实践。这一创作至今已持续六年（2020–2026），期间通过多次展览，不断探索该主题在绘画、装置、行为等多种媒介中的呈现。
《桃花源山水》的想象翅膀，源自陶渊明《桃花源记》中那个远离战乱、和平安宁的理想社会。后世对"桃花源"的解读纷繁各异：或言这是渔夫误入的异境，时间在桃花源中凝滞不前，堪称中国文学史上最早的"平行世界"想象；或是那片桃林实为连接平行宇宙的入口，"不知有汉，无论魏晋"恰是明证。"空间恒存，时间本虚"，物质始终处于运动之中，人们误将这种运动称为"时间"。《桃花源记》中"山有小口，仿佛若有光"的描写，宛若宇宙虫洞；"初极狭，才通人，复行数十步，豁然开朗"——恰似从三维空间向更高维度进发的路径。
循着这条兼具诗意与哲思的想象之径，我创作了一系列综合材料绘画。作品最初以浓烈的桃花粉红，构建梦幻般的落英之境；随着创作深入，逐渐衍生出关于水的蓝汐想象，关于时空隧道的绿野虫洞，关于自由与欢愉的时间之船和感知乐园。
【艺术理念】
这一系列承袭中国传统山水精神，又融摄现代科学的微观世界与宇宙宏观思想。画中的山或许不是山，而是曲线，是分形几何；水也未必是水，而是俄罗斯数学家沃罗诺伊的空间思想，是晶体，是水分子结构，是氧与氢，是芥子中藏着的须弥。它们是层层叠叠的流水，是植物，似是云烟，抽象且诗意，温柔缱绻，旖旎迷幻。
与传统"山水"精神相通，我始终追寻"道法自然"——天道、人道、世界观、梦想、信仰、归属感、万物有灵。柏拉图在《理想国》里说，人的困惑有两种原因：不是因为走出光明，就是因为走进光明。眼睛和心灵，都是如此。
我愿在画面里留下一个小小的童话世界：一片诗意的山水，一个桃花源，一座理想国。献给行路中的自己和所有观者，献给人生沿途的美好风景，献给爱与被爱，献给那些随风而逝的不解与愤怒，献给生命中不可抵挡的黑暗与孤独。
Origin of Creation
In 2020, amid the hardship and embarrassment of the pandemic, inspired by Plato's "The Republic", I began to ponder how to interpret the spirit of utopia in an Eastern language, thus initiating the practice of the "Tao Huayuan Landscape" series of mixed-media paintings. This creation has been ongoing for six years (2020-2026), during which time through multiple exhibitions, it has continuously explored the presentation of this theme in various media such as painting, installation, and performance.
The imaginative wings of "The Landscape of Peach Blossom Spring" originated from the ideal society in Tao Yuanming's "Record of the Peach Blossom Spring", which was far from war and peaceful. Later interpretations of "Peach Blossom Spring" have been diverse and varied: some say it was a strange place that fishermen mistakenly entered, where time stood still and could be regarded as the earliest "parallel world" imagination in Chinese literary history. Or perhaps that peach grove was actually the entrance to parallel universes. The saying, "If you don't know the Han Dynasty, whether it's the Wei or Jin Dynasties," is precisely the clear evidence. "Space is ever-present, while time is inherently illusory." Matter is always in motion, and people mistakenly refer to this motion as "time". The description in "The Peach Blossom Spring" that "there is a small opening in the mountain, as if there were light" is like a cosmic wormhole. "At first, it is extremely narrow, only allowing a person to pass through. After walking for dozens of steps, it suddenly opens up." - Just like the path from three-dimensional space to higher dimensions.
Following this imaginative path that combines poetry and philosophy, I have created a series of mixed-media paintings. The work initially creates a dreamlike scene of fallen petals with intense peach blossom pink. As the creation deepened, it gradually gave rise to the Blue Tide imagination about water, the Green field wormhole about the time tunnel, the Time ship and the Perception Paradise about freedom and joy.
"Artistic Concept
This series inherits the traditional Chinese spirit of landscape architecture while integrating modern scientific ideas of the microscopic world and the macroscopic universe. The mountain in the painting might not be a mountain but a curve, a fractal geometry. Water is not necessarily water; rather, it is the spatial thought of Russian mathematician Voronoi, a crystal, a water molecule structure, oxygen and hydrogen, and the sumeru hidden in a mustard seed. They are like layers upon layers of flowing water, like plants, like clouds and smoke, abstract and poetic, gentle and lingering, charming and enchanting.
In line with the traditional "mountain and water" spirit, I have always been in pursuit of "following the way of nature" - the way of heaven, the way of man, the world view, dreams, beliefs, a sense of belonging, and the spirit of all things. In "The Republic", Plato said that there are two reasons for people's confusion: either because they step out of the light or because they enter the light. Both the eyes and the soul are like this.
I wish to leave behind a small fairy tale world in the picture: a poetic landscape, a peach blossom spring, and an ideal country. To myself on the journey and all the viewers, to the beautiful scenery along the way of life, to love and being loved, to the confusion and anger that fade away with the wind, to the irresistible darkness and loneliness in life.
【系列构成】
架上绘画目前分为五个系列：Easel painting is currently divided into five series
1. 粉山（Pink Mountain）
2. 蓝汐（Blue Molecule）
3. 绿野虫洞（Green Field and Wormhole）
4. 时间之船（Ship of Time）
5. 感知乐园（Perception Paradise）
1、粉山Pink Mountain
粉山 #P001 Pink Mountain#P001
尺寸：150x150 cm 年份：2022-2023
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
粉山 #P002 Pink Mountain#P002
尺寸：150x150 cm 年份：2023-2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
粉山 #P003 Pink Mountain#P003
尺寸：150x150 cm 年份：2023
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
粉山 #P004 Pink Mountain#P004
尺寸：150x150 cm 年份：2023
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
粉山 #P005 Pink Mountain#P005
尺寸：150x150 cm 年份：2023
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
粉山 #P007 Pink Mountain#P007
尺寸：150x150 cm 年份：2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
粉山 #P008 Pink Mountain#P00
尺寸：150x150 cm 年份：2023-2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
粉山 #P009 Pink Mountain#P009
尺寸：150x150 cm 年份：2023-2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
粉山 #P018 Pink Mountain#P018
尺寸：150x150 cm 年份：2023 -2025
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
粉山 #P011 Pink Mountain#P011
尺寸：150x150 cm 年份：2023-2025
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
粉山 #P012 Pink Mountain#P012
尺寸：80x90 cm 年份：2024-2025
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
粉山 #P013 Pink Mountain#P013
尺寸：80x90 cm 年份：2023
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
粉山 #P014 Pink Mountain#P014
尺寸：80x90cm 年份：2023
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
粉山 #P003 Pink Mountain#P003
尺寸：80x90 cm 年份：2025
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
2、蓝汐BLUE MOLECULE
尺寸：100X100 cm 年份：2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
#B002
尺寸：100X100 cm 年份：2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
#B003
尺寸：100X100 cm 年份：2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
#B004
尺寸：100X100 cm 年份：2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
#B005
尺寸：100X100 cm 年份：2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
#B006
尺寸：50X50 cm 年份：2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
#B007
尺寸：100X100 cm 年份：2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
#B008
尺寸：100X100 cm 年份：2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
#B009
尺寸：100X100 cm 年份：2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
3、绿野虫洞GREEN FIELD
AND WORMHOLE
绿野虫洞 #G001 Thegreenwormhole#G001
尺寸：100X100 cm 年份：2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
绿野虫洞 #G002 Thegreenwormhole#G002
尺寸：100X100 cm 年份：2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
绿野虫洞 #G003 Thegreenwormhole#G003
尺寸：100X100 cm 年份：2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
绿野虫洞 #G004 Thegreenwormhole#G004
尺寸：100X100 cm 年份：2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
绿野虫洞 #G005 Thegreenwormhole#G005
尺寸：100X100 cm 年份：2024
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
绿野虫洞 #G012 Thegreenwormhole#G012
尺寸：50X50 cm 年份：2025
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
4、时间之船 SHIP OF TIME
时间之船 #T001 Shipoftime #T001
尺寸：50X50 cm 年份：2025
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
时间之船 #T002 Shipoftime #T002
尺寸：50X50 cm 年份：2025
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
时间之船 #T003 Shipoftime #T003
尺寸：50X50 cm 年份：2025
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
时间之船 #T003 Shipoftime #T003
尺寸：50X50 cm 年份：2025
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
时间之船 #T004 Shipoftime #T004
尺寸：50X50 cm 年份：2025
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
时间之船 #T005 Shipoftime #T005
尺寸：50X50 cm 年份：2025
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
时间之船 #T006 Shipoftime #T006
尺寸：50X50 cm 年份：2025
布面综合材料：材料：丙烯，色料、矿物质颜料，树脂、填料、助剂、溶剂、石英岩、硫化锌，稀土 Materials: acrylic, color, mineral pigment, resin, filler, additive, solvent, quartzite, zinc sulfide, rare
earth
感知乐园
《感知乐园》是我的"桃花源山水"系列的第五章节，开始于2025年。与前四个章节系列不同的是，我改变了既往熟悉的材料与技法，转而使用小尺幅的纸本与油画棒，以直抵心源的笔触，本能的直觉，让绘画回归最原初的自由，日常的情绪如溪流淌，内心无遮无拦。
画面之中，一幅幅既植根生活又超然于日常的乌托邦徐徐展开，那是"长乐未央"的幻境，亦是作为创作者私密的视觉日记。起初，这不过是大幅创作的色稿预备，然而渐渐地我发现轻简的媒材本身即蕴含着惊人的表现力，意念在须臾间显影，思绪于顷刻间落定，诗意在期间自由生长。
截至2026年1月，该系列已累积199幅，且仍在生长。它们如同时间的琥珀，封存着生命历程中细碎、真切又细腻的情感切片。关于亲密关系的幽微震颤，女性向内的深邃勘探，以及成长本身的阵痛与荣光，无数渺小的思考，就这样填满了漫长岁月的缝隙。
"Perceiving the Paradise" is the fifth chapter of my "Peach Blossom Spring Landscape" series, which began in 2025. Unlike the previous four chapter series, I changed the materials and techniques I was familiar with before, and instead used small-scale paper and oil pastels. With brushstrokes that directly touched the source of the heart and instinctive intuition, I allowed painting to return to its most original freedom. Daily emotions flowed like a stream, and the heart was unobstructed.
In the picture, a series of utopias that are both rooted in life and detached from the mundane gradually unfold. They are the illusory realm of "everlasting joy" and also the artist's private visual diary. At first, this was merely a color draft preparation for a large-scale creation. However, gradually I discovered that the light and simple medium itself contained astonishing expressiveness. Ideas emerged in an instant, thoughts settled in a flash, and poetry grew freely within it.
As of January 2026, this series has accumulated 199 pieces and is still growing. They are like amber of time, preserving the fragmented, genuine and delicate slices of emotions in the course of life. The subtle tremors of intimate relationships, the profound inward exploration of women, and the pains and glories of growth itself, countless insignificant thoughts, thus fill the gaps of the long years.
数学家沃罗诺伊VORONOI
赛博山水
- The Three-Body Problem opens with a hypothesis: "Does physics not exist?" Triggered panic suicides among scientists. But what if math doesn't exist? All our materialist systems of scientific knowledge are built on the basis of mathematics, the laws of the universe.
In January and February of 2023, during the rainy season, the glass door of my studio in Xiamen suddenly burst. Because it is tempered glass, it presents a stunning interrelationship of broken beauty, very futuristic. I observe its broken texture, a neural network that diffuses around in a cardinal point, a regular line connection between crystal fragments and a pattern that has been accidentally planned by some mysterious hand. It reminds me of the Voronoi space segmentation algorithm developed by Russian mathematician Georgy Fedoseevich Voronoi. He was inspired by Descartes' idea of dividing space by convex domains. It is widely used in many fields such as geometry, biology, crystallography, architecture, geography, meteorology, information systems and so on.
Voronoi figures come from the natural sculpture structure, and its repeated orderly arrangement appears to be a mystery under the natural order. From the microscopic cells in the skin of an onion to the shell of a jackfruit and the fur of a giraffe. These patterns are almost everywhere and form effective shapes.
Assuming that there are n points scattered on a plane, the Voronoi diagram for these points subdivides the plane into exactly n cells that encompass the portion of the plane closest to each point. This will result in a Mosaic that completely covers the plane. I plotted 100 or more random points and their corresponding Voronoi plots. Each point is contained in an "pixel" whose boundaries are exactly equidistant between two or more points. In other words, all the regions contained in the cell are closest to the point in the cell and not to any other point.
The Voronoi diagram completely subdivides the plane, so that all Spaces are used. Imagine squeezing as much as possible in a limited space, such as in muscle fibers or beehives. A Voronoi diagram is a spontaneous pattern where something grows at a uniform rate every time from different points. This explains why giraffes have this pattern in their stripes, dragonflies have this pattern in their wings, and jackfruit have this pattern in their skin.
The Chinese porcelain, the best crystallization of the wisdom of nature and human beings, also shows voroni graphic aesthetic characteristics in the process of firing due to the different expansion coefficients of the enamel matrix.
So I began to build my Voronoi world in a purely handmade, slow-motion way, a strange pattern that seems to be an abstract pattern presenting an optical illusion. I used the computer to generate random points to build Voronoi figures, landscapes, mountains and rivers and other graphics. I then color each cell based on the distance between the point in each cell and the randomly selected point in the box. It is an endless structural pattern. Some techniques of traditional Chinese southern Fujian lacquer line carving and wire enamel also help me to complete these series of works, so that they can have a unique presentation. During this period, I also used the Mosaic technique of German mathematician Dirichlet to make the crystals of copper sulfate chemical materials and special materials themselves continue to grow in the picture, maintaining a mysterious life force. In addition to carbon-based life, there are many other life forms that have been struggling to grow. - ---LinRan
- 沃罗诺伊 - 赛博霓虹 1/2
- Cyber Neon 1/ 2
- 综合材料绘画
- 尺⼨：60x90 厘⽶
- 材料：布⾯，丙烯，树脂，硫酸铜结晶，矿物颜料
- 《沃罗诺伊 - 赛博霓虹 1/2》
- Mixed-media painting
- Size: 60x90cm
- Material: Cloth, acrylic, resin, copper sulfate crystals, mineral pigment
- "Voronoi -Cyber Neon1/ 2
已被收藏
《沃罗诺伊 -convid-19 1/2》
综合材料绘画
尺⼨：50x50 厘⽶
材料：布⾯，丙烯，树脂，硫酸铜结晶，矿物颜料
Mixed-media painting
Size: 50x50 cm
Material: Cloth, acrylic, resin, copper sulfate crystals, mineral pigment
《沃罗诺伊 -convid-19 1/2》
综合材料绘画
尺⼨：50x50 厘⽶
材料：布⾯，丙烯，树脂，硫酸铜结晶，矿物颜料
Mixed-media painting
Size: 50x50 cm
Material: Cloth, acrylic, resin, copper sulfate crystals, mineral pigment
已被收藏
- 沃罗诺伊 - 柏拉图与洞⽳⾥的光
- Voronoi -Plato and the Light in the CaveMixed-media painting
- 材料：布⾯，丙烯，树脂，硫酸铜结晶，矿物颜料
- Size: 60x90 cm
- Material: Cloth, acrylic, resin, copper sulfate crystals, mineral pigment
《沃罗诺伊 - 赛博荒原1》
Voronoi -The Cyberwasteland
综合材料绘画
尺⼨：50x50 厘⽶
材料：布⾯，丙烯，树脂，硫酸铜结晶，矿物颜料
Mixed-media painting
Size: 50x50 cm
Material: Cloth, acrylic, resin, copper sulfate crystals, mineral pigment
"Voronoi -The Cyberwasteland"
《沃罗诺伊 - 赛博荒原2》
Voronoi -The Cyberwasteland
综合材料绘画
尺⼨：50x50 厘⽶
材料：布⾯，丙烯，树脂，硫酸铜结晶，矿物颜料
Mixed-media painting
Size: 50x50 cm
Material: Cloth, acrylic, resin, copper sulfate crystals, mineral pigment
"Voronoi -The Cyberwasteland"
- The Three-Body Problem opens with a hypothesis: "Does physics not exist?" Triggered panic suicides among scientists. But what if math doesn't exist? All our materialist systems of scientific knowledge are built on the basis of mathematics, the laws of the universe.
沃罗诺伊系列综合材料绘画
《三体》的开篇提出⼀个假设：“物理学不存在了？”引发了科学家的恐慌⾃杀。 但，如果数学不存在了呢？我们所有的唯物主义科学知识体系都是建筑于数学这个宇宙规律的基础之上。
2023 年的一二⽉回南天春雨绵绵的季节，我厦⻔⼯作室的玻璃⻔突然爆裂。由于是钢化玻璃，它呈现⼀种惊⼈互相关系的破碎美，很有未来感。我仔细观察它的破碎纹理，以⼀个基点向四周弥散的神经⽹络，晶体碎块之间有规律的线条联系和⼀种因某种神秘之⼿偶然却规划好的图形。让我想到了俄罗斯数学家 Georgy Fedoseevich Voronoi 建⽴的沃罗诺伊空间分割算法。他的灵感来源于笛卡尔⽤凸域分割空间的思想。在⼏何学，⽣物学，晶体学，建筑学，地理学，⽓象学，信息系统等许多领域有⼴泛的应⽤。
沃罗诺伊图形来⾃于⾃然⻤斧神⼯造物结构形态，它的⼀再有序排列重复，显出似是有种⾃然秩序下的神秘。从洋葱⽪中的微观细胞，到菠萝蜜的壳和⻓颈⿅的⽪⽑。这些模式⼏乎⽆处不在，且形成了有效的形状。
假 设 有 n 个 点 分 散 在 ⼀ 个 平 ⾯ 上， 这 些 点 的Voronoi 图将平⾯细分为正好 n 个单元格，这些单元格包围了最接近每个点的平⾯部分。这将产⽣完全覆盖平⾯的镶嵌。我绘制了 100 个或更多随机点及其相应Voronoi 图。每个点都包含在⼀个“像元”中，该像元的边界在两个或多个点之间正好等距。换句话说，单元格中包含的所有区域都最靠近单元格中的点，⽽不是任何其他点。
Voronoi 图完全细分了平⾯，因此，所有空间都被使⽤。设想在有限的空间内尽可能多地挤压，例如在肌⾁纤维或蜂箱中。Voronoi 图是⼀种⾃发模式，每当某物从不同的点以均匀的增⻓率增⻓。这就解释了为什么⻓颈⿅的斑纹表现出这种模式，蜻蜓翅膀的纹路是这种样⼦，菠萝蜜的表皮都呈现出这样的模式。大自然与人类的智慧最好的结晶---中国瓷器，在烧造的过程中由于釉⾯胎体的膨胀系数不同⽽形成的⻳裂纹路也呈现出voroni 图形美学特征。
于是，我开始使⽤⼀种纯⼿⼯制作慢工的⽅式构建⾃⼰的沃罗诺伊世界，⼀种似是抽象图案呈现出视错觉的奇妙图形。我通过计算机来⽣成随机点来构建Voronoi 式的⼈物、景观、⼭⽔等图形。然后，我根据每个单元格的点与框中随机选择的点的距离对每个单元格进⾏着色。它是⼀种⽆穷⽆尽的结构性图形。而中国传统的闽南漆线雕和掐丝珐琅的一些工艺技术也给我一些技术上的启发让我完成这一系列的作品，使得他们能有一种独特的呈现方式。期间我也使⽤了德国数学家狄利克雷镶嵌技术，让硫酸铜化学材料的晶体和特殊材料⾃⼰在画⾯中持续⽣⻓，保持了一种神秘的生命之力。除了碳基生命，有很多其他生命形式也一直在努力地生长。
----林苒
- 人物篇
《 沃罗诺伊 - 爱，死亡与晶体 》
Voronoi - Love, Death and Crystals
Mixed-media painting
Size: 50x50 cm
Material: Cloth, acrylic, resin, copper sulfate crystals, mineral pigment
《 沃罗诺伊 - 鹿角女孩 》
Voronoi - The Antler Girls"
Mixed-media painting
Size: 50x50 cm
Material: Cloth, acrylic, resin, copper sulfate crystals, mineral pigment
《 沃罗诺伊 - 神邸之箭 》
Voronoi - Arrow of God's Residence
Mixed-media painting
Size: 50x50 cm
Material: Cloth, acrylic, resin, copper sulfate crystals, mineral pigment
《 《沃罗诺伊 - 弥散盖亚 》
Voronoi - diffuse Gaia
Mixed-media painting
Size: 50x50 cm
Material: Cloth, acrylic, resin, copper sulfate crystals, mineral pigment
《 沃罗诺伊 - 眼药⽔和晶体 》
‘你给我滴的眼药水从此在我眼里结晶生长再也没有停止下来”
Voronoi - Eye drops and crystals
Mixed-media painting
Size: 50x50 cm
Material: Cloth, acrylic, resin, copper sulfate crystals, mineral pigment
《 沃罗诺伊 - -亲密关系 1 》
犹如结网取鱼
已被收藏
Voronoi - -intimate relationship1
Mixed-media painting
Size: 50x50 cm
Material: Cloth, acrylic, resin, copper sulfate crystals, mineral pigment
《 沃罗诺伊 - - 亲密关系 2 》
编制密密的网
已被收藏
Voronoi - -intimate relationship1
Mixed-media painting
Size: 50x50 cm
Material: Cloth, acrylic, resin, copper sulfate crystals, mineral pigment
《 沃罗诺伊 - - 命运三女神 纺锤 》
源自古希腊神话里掌握自己命运的拿着纺锤，剪刀和尺子的三个命运女神。
Voronoi - The Three Goddesses of Fate The Spindle
Mixed-media painting
Size: 80x100 cm
Material: Cloth, acrylic, resin, copper sulfate crystals, mineral pigment
《 沃罗诺伊 - 命运三女神 剪刀》
Voronoi -The Three Goddesses of Fate, The Scissors"
Mixed-media painting
Size:80x100 cm
Material: Cloth, acrylic, resin, copper sulfate crystals, mineral pigment
《 沃罗诺伊 - 命运三女神 尺子》
Voronoi -The Three Goddesses of Fate, The Scissors"
Mixed-media painting
Size:80x100 cm
Material: Cloth, acrylic, resin, copper sulfate crystals, mineral pigment
