这是2007年底到2008年春天，林苒在巴黎解放广场place republic拍摄的一个短片。整个影片还是沿袭她惯用的逐帧动画和场景实拍非编剪辑的技术手法，和她惯用的诗情主义表达方式来创作的。

这是一个关于自我和他者的边界的探寻，一个关于私密空间与公共空间的疑问，一个关于人和城市和环境的思索。

 

影片开始于一个心灵独白的低吟声：“我总是，沿着你的足迹，去寻找边界，需找你轨迹里的出口，和入口。。。”

影片里那个很重要的一个元素“电话亭”像一个契子。它是一个在公共空间里的私密空间环境，在电话亭的透明玻璃内外似乎有着两个不同的幻想世界。这些幻想和对现实的怀疑就像生存在皮肤之下，难以触摸，却总是能够时时感知到和涌现于眼前。

 

Text about《Sous La Peau》

During late 2007 to initial 2008, I shot a short video at place republic. As for the whole movie, the techniques of frame by frame animation, scene take and non-linear film editing are adopted and it is created with the way of poetic expression.

 

It deals with the exploration of self-ego and other’s boundary, doubt about private and public space and speculation about people, city and environment.

At the beginning of the movie, a psychological monologic sound, moaning: “I always, follow your footprint, search for boundary, need to look for the exit of your track, and entrance….”

 

The important element “telephone booth” in the movie is just like an opportunity. It is in private space environment in public space. It seems that there are two different fancy worlds inside and outside of transparent glass of telephone booth. It’s just like that these fantasies and realistic suspicion survives under skin. It is hard to touch but it could be perceived and emerge in front of you at all times.